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[Album review] Seventeen just gets better and better

  • Published : Feb 7, 2018 - 16:39
  • Updated : Feb 7, 2018 - 16:39

(Loen Entertainment)
“Director’s Cut”
(Loen Entertainment)

Whether they are crafted for special occasions or are part of the group’s regular album, Seventeen’s music has been improving with each new release.

The group’s “Director’s Cut,” an extended, reissued version of the K-pop act’s “Teen, Age” album from last year, features four new songs. But bear in mind that they are remnants that were not released in time. Each of the new songs sparkle with Seventeen’s signature bubbly energy, flagging themselves as perfect single material.

Opener “Thinkin’ About You” is a moderate mix of pop and electro dance, led by a bright hook “I’m Thinkin’ About You.” If the song, which agreeably lacks tension, doesn’t sound so catchy to you, “Thanks” will be a better option. The future bass smash and a lead track of the album, gives a nod to the K-pop’s running trend by plunging into an emotive future bass sound. Although the song’s message is simple -- saying thank you to fans, -- in terms of sheer sonic force, “Thanks” is nothing short of a masterpiece.

The song follows the common formula of the group’s previous banger “I Don’t Want to Cry.” It slowly builds from the soft and melodic future bass drops blooming into its titular climax where the vocalists emotionally shout out “Thanks.” Although it is a fan song aimed at a certain group, the song is infectious enough that it can be enjoyed by a wide range of listeners. It may initially sound similar to other EDM-influenced K-pop songs, but after listening to it several times, the song certainly gives out more a mature and self-assured vibe than any other bangers.

The most impressive track from the album is “Run to You,” Seventeen’s first attempt at rock-pop that is reminiscent of a scene from a Japanese anime. While’s peppering the song with anime-like electronic guitar sounds is a rarity among K-pop idols, “Run to You” surprisingly fits well with the group’s sprightly image. It may sound flamboyant, but it’s not overdone. And the song takes another bold step by ending abruptly as if disappearing into an imaginary black hole, just like in an anime.

When the new songs round out with jazzy-ballad “Falling For U” and the original tracks begin, listeners might forget the fact that “Director’s Cut” was just an extended album.