Home > Feature
Korean-American director wins big at Spirit Awards
Andrew Ahn flattered by comparisons of his ‘Spa Night’ to Oscar-winning ‘Moonlight’
Director Andrew Ahn hoists his trophy at the 2017 Film Independent Spirit Awards on Saturday. (Screen capture from YouTube) |
“Spa Night,” a story Ahn called “so personal” to him when it was shown at the 17th Jeonju International Film Festival in May last year, portrays a young Korean-American man discovering and coming to grips with his homosexuality after taking a job at a Korean spa. It was released in the US in August. While Ahn still pursues distribution in Korea -- Korean is the primary language of the film -- “Spa Night” recently began streaming on Netflix, iTunes and Amazon.
“Now more than ever it’s so important that we support stories told by and about communities that are marginalized,” Ahn said when he took to the stage to accept the award Saturday.
Director Andrew Ahn (second from left) delivers his acceptance speech at the 2017 Film Independent Spirit Awards on Saturday. (Screen capture from YouTube) |
Director Andrew Ahn (center) accepts the John Cassavetes Award at the 2017 Film Independent Spirit Awards on Saturday. (Screen capture from YouTube) |
Ahn recalled that when the film first screened in Los Angeles, a fellow Korean-American man asked why they had made a movie that’s not very indicative of their culture, saying, “This is only 1 out of 100 Korean-American experiences.”
“But it would be so meaningful for that person,” Ahn replied, talking about the “burden of representation” he felt for not only Asian-Americans, but for the queer community as well. On Saturday, he ended his acceptance speech saying, “Finally I just have to thank my parents for understanding that their gay Korean-American son is their son. So thank you.”
Andrew Ahn (Jeonju International Film Fest) |
“I’m very flattered and I encourage that association,” Ahn said with a laugh. “What the film (‘Moonlight’) does is so beautiful.”
As Barry Jenkins, director of “Moonlight,” was also nominated as “Someone to Watch“ in 2009 for “Medicine for Melancholy,” does Ahn feel greater pressure coming off the Spirit Awards? “I don’t feel pressure so much as I am motivated to make more films, bigger films, riskier films,” Ahn told The Korea Herald.
On future projects, the director said he has begun working on an adaptation of a Korean-American novel he could not yet disclose.
But, he added, “I’m actively looking for opportunities to shoot films that take place in Korea. It’s a country I obviously have a strong connection to, but distance from (as a second-generation Korean-American).”
By Kevin Lee Selzer (klselzer@heraldcorp.com)